Referenser

Här följer ett urval av referenserna som ges i texterna

(Abbott, 2008) Abbott, P., The Cambridge Introduction to Narrative, second edition, Cambridge University Press, 2008.

(Alderson, 2015) Alderson, M., Writing Deep Scenes, Writersdigest, 2015.

(Archer, 2016) Jodie Archer, Matthew Jockers, The bestseller code, Allen Lane, 2016

(Aristoteles, 2000) Aristoteles, Om diktkonsten, Anamma böcker, 2000.

(Atwood, 2002) Margaret Atwood, Negotiating with the dead, a writer in writing, Anchorbooks, 2002.

(Atwood, 2003) Atwood, M., Oryx and Crake, Virago, 2009.

(Atwood, 2011) Atwood, M., The road to Ustopia, The Guardian, 14/10 2011 hämtad från https://www.theguardian.com/books/2011/oct/14/margaret-atwood-road-to-ustopia

(Augustsson, 1989) Augustsson, L-Å., Att skriva prosa, Ordfronts förlag, 1989.

(Augustsson, 1994) Augustsson, L-Å., Att skriva romaner och noveller, Ordfronts förlag, 1994.

(Bachtin, 1919) Bachtin, M., Det dialogiska ordet, Anthropos, 1991.

(Bal, 1997) Bal, M., Narratology, University of Toronto press, 1997.

(Barthes, 1974) Barthes, R., S/Z, Blackwell
Hämtad 2017-09-02 via https://docs.google.com/viewer?url=https%3A%2F%2Fmonoskop.org%2Fimages%2Fd%2Fd6%2FBarthes_Roland_S-Z_2002.pdf

(Bell, 2008) Bell, J. S., Revision and self editing, Writer’s digest books, 2008.

(Bell, 2011) Bell, J. S., Superstructure, the key to unleashing the power of story, Compendium press, 2011.

(Bell, 2011b) Bell, J. S., Conflict & suspense, WritersDigest, 2011.

(Berger, 1993) Berger, A., An anatomy of humor, Transaction Publishers, 1998.

(Bergström, 2012) Bergström, G. Boresus K (2012) ”Diskursanalys”, i Bergström, G. Boresus K red. Textens mening och makt Studentlitteratur.

(Blanchot 1955) Blanchot, M., The spece of literature. Univerity of Nebraska press, 1985.

(Bondeson, 2011) Bondeson, S., Konsten att döda, en handbok om hur man skriver kriminalromaner, Ordfront, 2011.

(Bradbury, 1994) Bradbury, R., Zen and the art of writing, 1994.

(Brooks 2011) Brooks, L., Story engineering, Writers Digest Books, 2011.

(Campbell, 1993) Campbell, J., The hero with a thousand faces, Fortunapress, 1993.

(Caracciolo, 2009) Caracciolo, M., Herman, D., Basic Elements of Narrative, Wiley-Blackwell, Oxford 2009. Cognitive Philology 2, 2009.

(Carr, 2014) Carr, D., Four perspectives on the value of literature for moral and character education, The Journal of aesthetic education 48(4), 2014.

(Carroll, 2009) Carroll, N., On criticism, Routledge, 2009.

(Cassier, 2015) Cassier, P., Stilistiken, Retorikförlaget, 2015.

(Chandler, 2002) Chandler, D. Semiotics, the basics, Routledge, 2002.

(Chatman, 1978) Chatman S., Story and discourse, Cornell paperbacks, 1978.

(Eriksson, 2000) Eriksson, L., Lundfall, C., ”Litterär gestaltning”, Alqvist & Wiksell, 2000.

(Fludernik, 1996) Fludernik M., Towards a natural narratology, Routledge, 1996.

(Flusser, 2011) Flusser W. Does writing have a future?, University of Minnesota Press, 2011.

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(Frank, 2016) Frank, Aliette K. ”What is the story with sustainability? A narrative analysis of diverse and contested understandings.” Journal of Environmental Studies and Sciences, 2016: 1-14.

(Galinanes, 2005) Galiñanes, C., Funny fiction; or, jokes and their relation to the humorous novel., Poetics Today 26(1), 2005: 79-111.

(Gardner, 1983) Gardner, John. Romanen och författaren, Carlssons, 1983.

(Gardner, 1991) Gardner, John, The art of fiction, Vintage book edition, 1991.

(Genette, 1978) Genette, S., Story and discourse, Connell University press, 1978.

(George, 2004) George, Elizabeth, Skriv på!, Månpocket, 2004.

(Goffman, 1974) E. Goffman, Frame analysis, Northeastern University Press, 1974.

(Goldsmith, 2013) Goldsmith, Lorena, Self.editing Fiction that sells, How To Books, 2013.

(Goodman, 1977) Goodman, N., Ways of worldmaking, Hackett publishing, 1977

(Granwald, 2019) Granwald, T., Kreativt skrivande, Studentlitteratur, 2019-

(Gulliksson, 2015b) Gulliksson, H., Hållbara världsbilder, tillgänglig via Google play sedan 2015.

(Hallberg) Hallberg, P., Litterär teori och stilistik, Studentlitteratur, 2014.

(Hardy, 2016) Hardy, J., Understanding Show, Don’t Tell, Fiction University press, 2016.

(Herman, 2009) Herman, D., Basic elements of narrative. Wiley-Blackwell, 2006.

(Holmberg, 1999) Holmberg, C-G., Ohlsson, A., Epikanalys – en introduktion, Studentlitteratur, 1999.

(Holmgren, 2011) Holmgren, S., Dina ord, dina berättelser, Kabusa böcker, 2011.

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(Iser, 2000) Iser, W., The range of interpretation, Columbia University Press, 2000.

(Jameson 2005) Jameson, F., Archaeologies of the future: The desire called utopia and other science fictions. Verso, 2005.

(Johnson, 2015) Johnson, B., A story is a promise, Blue haven publ., 2015.

(Karlsson, 2015) Karlsson Y., Kuick, K., Skriv om och om igen, XPublishing, 2015.

(Karr, 2016) Karr, M., The art of memoit, Harper, 2016.

(Keen, 2015) Keen, S., Narrative form, Palgrave, 2015.

(King, 2001) King, S.. En hantverkares memoarer. Bra Böcker. 2011.

(Ronen, 1994) Ronen, R., Possible worlds in literary theory” Cambridge University Press (1994).

(Küchen, 2007) Küchen, M., Att skriva börjar här. Ordfront. 2007.

(Lagercrantz, 1985) Lagercrantz, Olof. Om konsten att läsa, Grafica, 1985

(Lagerholm, 2015) Lagerholm, P., Stilistik, Studentlitteratur

(Lakoff, 1981) Lakoff, G., Johnson, M., Metaphors we live by, University of Chikago Press, 1981.

(Lakoff, 2004) Lakoff, G., The All New Don’t Think of an Elephant!: Know Your Values and Frame the Debate. Chelsea Green Publishing, 2014.

(Lakoff, 2006) Lakoff, G., Thinking points: Communicating our American values and vision. Macmillan, 2006, available online.

(Lakoff, 2010) Lakoff, G., Why it matters how we frame the environment. Environmental Communication 4(1), 2010.

(Linde, 2011) Linde C., Från a till b via d h och ö, Studentuppsats på avancerad nivå i Litteraturvetenskap, Linneuniversitetet, 2011

(Ljungquist, 2001) Ljungquist, S., Den litterära utopin och dystopin i Sverige 1734-1940), Gidlunds förlag, 2001.

(Lukács, 1936) Lukács, G.,Narrate or describe, in Writer and Critic and Other Essays Merlin London, 1970, s. 110-147

(Malmsten, 2012) Malmsten, B., Så gör jag, Modernista, 2012.

(Marszalek, 2012) Marszalek, A., Humorous worlds: a cognitive stylistic approach to the creation of humour in comic narratives. Diss. University of Glasgow, 2012.

(Martin, 2006) Martin, R., Psychology of humor, Academic press, 2006.

(Millward, 2007) Millward, J., Dystopian wor (l) ds: language within and beyond experience. PhD Diss. University of Sheffield, 2007.

(Morrell, 2002) Morrell, D., The successful novelist, Sourcebooks, 2002.

(Morris, 2013) Morris, R., Nail Your Novel, Fabled Lands Publishing, 2013.

(Murdoch 1994) Murdoch, I., Metaphysics as a Guide to Morals. Penguin, 1994.

(Murdoch 1999) Murdoch, I., Existentialists and mystics: Writings on philosophy and literature. Penguin, 1999.

(Noble, 1987) Noble, W., Shut up! he explained, TheWriteThought, 1987

(Norin, 2011) Norin, E., Tre enkla regler, Isabergs förlag, 2011.

(Oates, 2004) Oates, J. C. The faith of a writer, Harper Collins, 2004.

(Oatley) Oatley, K., Fiction: Simulation of Social Worlds. Trends in Cognitive Sciences 20(8). 2016: 618-628.

(Obstfeld, 2000) Obstfeld, R., “Crafting scenes”, Writer’s digest books, 2000

(Obstfeld, 2002) Obstfeld, R., Fiction first aid, Writer’s digest books, 2002.

(Palmquist, 2012) Palmquist, S., How to write a Romance Novel, Compass Books, 2012.

(Parker, 2015) Parker, R. D., How to interpret literature, Oxford University press, 2015.

(Phillips, 1984) Phillips, L., Ernest Hemingway on writing, Scribner, 1984.

(Prose, 2006) Prose, F., Reading lika a writer, Aurum press, 2006.

(Pusztai, 2013) Pusztai, I., Berättarteknik, Recito, 2013.

(Ricoeur, 1979) Ricoeur, P., The function of fiction in shaping reality.” Man and World 12(2). 1979: 123-141.

(Ricoeur, 1984) Ricoeur, P., Time and narrative, vol 1, University of Chikago Prss, 1984

(Ricoeur, 1991) Ricoeur, P., Narrative identity. Philosophy Today 35(1), 1991.

(Rosengren, 2011) Rosengren, R., Karaktärer, repliker, dialog, Studentlitteratur, 2011

(Ryan, 1991) Ryan, Marie-Laure, Possible worlds and accessibility relations: A semantic typology of fiction., Poetics today 12.3 (1991): 553-576.

(Safranski, 2015) Safranski, R., Tid, Daidalos, 2015.

(Schön, 1994) Schön, D., Rein, M., Frame Reflection: Toward the Resolution of Intractable Policy Controversies. New York: Basic Books, 1994.

(Seger, 1990) Seger, L. Creating unforgettable characters, Holt paperback, 1990.

(Simmons, 2002) Simmons A., The story factor, Basic books, 2002.

(Simpson, 2004) Simpson, P., Stylistics. Routledge, 2004.

(Svedelid, 2010) Svedelid, O., Lär dig skriva spännande, MSF 2010

(Tanenbaum, 2016) Tanenbaum, J., et al., ”The limits of our imagination: design fiction as a strategy for engaging with dystopian futures.”Proceedings of the Second Workshop on Computing within Limits. ACM, 2016.

(Tollström, 2017) Tollström, C., Fängsla dina läsare, Chill textsving, 2017.

(Torbjörnsson, 2014) Torbjörnsson, T. (2014) ”Solidaritet och utbildning för hållbar utveckling”, PhD i Utbildningsvetenskap, Uppsala universitet.

(Tuzzeo, 2008) Tuzzeo, J., Changing ourminds: Dystopian Psychologixcal Conditioning in Nineteen Eighty-Four, brave New World, and Walden Two, Master Theses, College of Brockport, 2008.

(Vedin, 2015) Vedin, M., Lindblom, P., Kreativt skrivande – en liten handbok, Kurskompendium i kursen Kreativt skrivande B, Luleå Universitet, 2016.

(Wainger, 2004) Wainger, L., Writing a Romance Novel for Dummies, Wiley, 2004.

(Weiland, 2016) Weiland, K. M., Creating character arcs, Pen for a sword publishing, 2016.

(Weiland, 2013) Weiland, K. M., Structuring your novel, Pen for a sword publishing, 2013.

(Weisinger, 2000) Weisinger, H., Ge och ta kritik på rätt sätt, Richters, 2000.

(Ödeen, 1988) Ödeen, M., Dramatiskt berättande, Carlssons, 2005.

(Öhman, 2002) Öhman, A., Populärlitteratur, Studentlitteratur, 2002.

(Öiestad, 2004) Öiestad, G., Feedback, Liber, 2004.

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